Space Jam – The Comet is Coming and Yonen take over The Sugar Club


Last Tuesday the Sugar Club was the scene for a journey of musical discovery courtesy of London Psychedelic-Jazz trio The Comet is Coming, with support from Dublin instrumentalists Yonen.

The latter act took us on a tour of the cosmos with their intergalactic instrumentals complete with a live AV show that really set this apart from your usual fare. At times frantic, at others soothing and sad. At one point guitarist Alan Dooley is coaxing what sounds like whale song out of his six string.

Such was the nature of the music and the quiet attentiveness of the crowd that the guys often had to announce when a piece was finished with a quick ‘Thank You!’ which was met with stunned applause. This band makes incredibly complex music and they are tight as hell live. Catch them as soon as you can.

Headliners The Comet is Coming are hard to define. Take 1 part jazz, 1 part psychedelia. Mix with smooth Sax and bake at a high bpm for 2 hours. Drummer Betamax Killer’s rhythmic stabs drive the tracks ahead while Danalogue The Conqueror on keys and King Shabaka on sax add embellishments and flourishes along the way. Be assured that their songs are even better than their names!

In other tracks the sax is clearly in the lead, laying the rhythm down with honks and squeals for the drums to follow before exploding into section long solos.

The crowd were loving it. By the second song the band had half the seated crowd down on the dance floor and it wasn’t much longer until the other half followed. The sheer scope of influences on display made for such an eclectic set. Some songs were straight up funk, some like mental techno tunes and others still leaning towards industrial rock like a funked up Nine Inch Nails.

The Comet is Coming could be accused of being slightly all over the place at times but when they hit that sweet spot and all joined in on the same groove, which was often, you could absolutely lose yourself too it. These guys are an unstoppable force, highly recommended ear-candy.

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New Dublin collective GRAYSCALE aims to highlight Irelands Audio-Visual Artists.

A group of Audio-Visual artists and musician in Dublin have formed a new collective, GRAYSCALE, the highlight the work of Irish artists. The aim is to bring contemporary audio- visual arts to a wider audience in Dublin and nationwide through a series of curated events.

The events will be equal parts ‘music’ and ‘visual art’ with artists from both fields collaborating and being promoted equally in a similar vein to European festivals such as Unsound in Krakow, CTM in Berlin, Future Everything in Manchester and Rewire in the Netherlands.

 

Tickets: https://www.eventbrite.ie/e/grayscale-clu-mr-mitch-rachel-noble-tickets-32070865823

Posted by Grayscale on Wednesday, March 1, 2017

The first event is on the 11th of March(this Saturday) in The Pillar Room of the Rotunda Hospital. The venue itself looks spectacular and it’s sure to be a unique experience. It’s the first event of this kind in the space.

Acts on the night include CLU, Mr. Mitch and London Visual Artist Rachel Noble.

Ticket’s are €15 which includes 2 free drinks and the event is also BYOB. You can grab yours here. Check out the acts on the night below.

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PREMIERE: Irish instrumentalist math wizards Yonen release new track, ‘Tokyo’, ahead of UK Tour.

Following in the footsteps of And So I Watch You From Afar, Adebisi Shank, The Redkneck Manifesto, God is an Astronaut and joining the plethora of great instrumental music coming from this island are Yonen.

Yonen are 4 piece instrumental math rock band from Dublin. ‘Tokyo’ is their first official single but they’re no strangers to the live scene having already supported heavyweights such as Toe, TTNG, Overhead the Albatross, and Poly-Math to name but a few.

‘Tokyo’ is being released on the eve of a six date UK Tour this February with one man band/loop pedal purveyor Steve Strong.
The track itself is a 6:55 odyssey, journeying through the streets of Tokyo and seeing the city through the imagination of minds that have never been there. The motif stays fairly similar throughout but is treated to a dizzying array of changes in dynamics and effects, reminiscent of some of Three Trapped Tigers recent efforts, but a lot more jazzy.

Guitarist Cian Finlay told us a little bit about the writing process:

Our songs take place in hyperbolic and fantastical settings. Though Tokyo is a non fictional city, the song is merely capturing the inscape of the word “Tokyo” as an abstract – i.e. what images your mind conjures when you hear the word “Tokyo”.
(PS we’ve never been there so it’s all a lie. Shhhh!)

We see Tokyo as bustling with activity, strobing with vibrant colours, and hinting at a quirky cultural undercurrent. The protagonist (the listener) traverses the city throughout the track, beginning in the suburbs and making their way through to the center. The bustling busy ride patterns increase in activity on the journey in. The vibrant colourful synth tone gradually increases in sustain until exploding into an entirely new palette of colour (harmony).

Then the protagonist is introduced to the cultural quirks through the 8 bit production atop the cheeky melody. As our songs are experimental, it helps to have a well defined narrative of environment during the writing process to keep our piece coherent and consistent. Or, we could just get a singer.

Fun fact: In the first main melody, every mini phrase comprises of 4 notes. (…except for the 5th group…)

Fun fact: the synth tone is actually a bass running through a Zoom B3 Multi Effects Unit. Nice tone Bro.

Fun fact: The two guitarist mixed and produced the song together, and somehow are still friends.

There seems to be some big plans ahead for the single. Alongside the supporting tour of the UK, there will be both a full length animated music video and an interactive game released by the animation/programming team of Ross Ryder and Joey Breslin. These have been designed within the video game engine ‘Unity’ and also feature as the center-piece in the bands live show. The few sneak peeks they’ve given us of the project look very promising.

No Irish dates have been announced yet, but expect to see Yonen on the summer festival circuit later this year.

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Review: Other Voices 2016


Other Voices returned to Dingle on the edge of County Kerry again this year bigger and better than ever. 2016 marked the year when the quiet weekend transformed into a fully fledged winter festival. The music trail was expanded to include plenty of new venues and a stellar lineup of Irish and international artists that went on into the early hours of the morning.

Dingle is one of the most charming villages in Ireland to visit and the perfect setting for the unique event. This year the town was packed to capacity as crowd numbers noticeably surged from previous years. The atmosphere was different as a result but retained it’s characteristic vibe and there were many more pros than cons. Food trucks at many of the late night venues were a particularly welcome addition to the weekend, keeping everyone fed with a delicious selection of gourmet foods.

FRIDAY
But we’ll move swiftly on to the most important part, the music! First up on Friday was Farah Elle in the packed out Nellie Freds. The Dublin singers colourful tunes and off kilter lyrics were the perfect start to the weekend, with subtle harmonies and driving rhythms that never overpower the music-box innocence of the melodies.
Orchid Collective belted out tracks from their excellent Courage EP in the Marina Inn. The band started life out with a singer songwriter oriented sound but have since developed their arrangements to include a litany of guitar effects and metronome perfect polyrhythms.Distinct vocal harmonies feature throughout and the songs often swell to meteoric crescendos before easing back to earth. Expect to hear a lot more from this Dublin 4 piece.

Next up were Strange Attractor, the first local band on the trail. They’ve been making waves up in Dublin recently but hail from Dingle. Their funk sound is packed full of latin rhythms and walking basslines reminiscent of James Jamerson. They’re great at what they do, each player is brilliant as individual instrumentalists and when brought together as a whole they’re super tight and smooth as hell.

Then it was time for the first broadcast from St James Church, streamed live into venues all around the town. We settled into Foxy Johns, a hardware store/pub to watch. The first act was Caoimhin O’Raghallaigh and Cormac Begley on violin and concertina. Lots of trad standards and improvisation, made it feel like we were all packed into one big Dingle-wide snug.

Next up Margret Glaspsy. The Californian singer showed off her tremendous vocal range with serious jumps in pitch and dynamics. Highlights were the excellent ‘You & I’ and a surprise cover of Lauryn Hill’s  ‘X factor’ from her seminal debut The Miseducation of Lauryn Hill.

After a short intermission Kojey Radical kicked us back into gear with an energetic set of smooth R&B and poetic rap. His band are fantastic and the drummer in particular looked absolutely giddy to be there, enjoying every second.

Next up, Pixie Geldof who let loose with a torrent of raw emotionally honest rock songs. Her band really new how to shred and gave the songs an edge.

After the church it was straight back out to the music trail to see Fangclub, the Dublin 3 piece who are making serious waves with their hard hitting grunge sound. These guys really know how to bring the noise, producing a wall of sound that hits you right in the chest. Talk about HEFT!
Sticking around after Fangclub we we stumbled across Damola, a young rapper out of Dublin and member of the Backshed Inc. collective. This guy had serious flow and an incredibly tight band. It’s great to see the Dublin rap scene flourishing and providing itself a voice. It’s even better that festivals like Other Voices are providing them platforms to be heard.

Soulé ended the first night with a set of R&B floorfillers. This girl oozes talent and is definitely one to watch. Her cover of Kendrick Lamar’s ‘Swimming Pools’ is pretty awesome too, check it out below.

 SATURDAY
Saturday got off to a groggy start, with a few visibly sore heads. The remedy came in the form of Dublin group Moon looks on, whose beautifully crafted original folk rock songs  were complimented by some great piano and violin work. Lead singer Stephen Gormley has a great natural vibrato that really stretches his vocals out, remaining interesting throughout the entire set.
Armagh’s Jealous of the Birds hit the new and improved Dingle Brewing Company stage and blew us away. A little bit Lana Del Ray, a little bit Lorde. Their sparse use of instrumentation results in an atmospheric sound that can go from soft spoken to rocking out in the blink of an eye. The set was punctuated with covers of Nirvanas ‘Heart Shaped Box’ and Foster The Peoples ‘Pumped up Kicks’.
Malojian brought their Americana tinged alt-folk from Belfast to the Dingle District Courthouse. The venue was so packed we listened from around the corner until someone squeezed in to give us a look . Soothing vocals lyrically explored life’s difficulties with a sunny side up outlook. They informed us all they’d visited 4 provinces in 4 days, arriving in Dingle via Belfast, Mayo and Dublin .”We arrived at 3 in the morning, it was like dawn of the dead, but the party version!”By far the biggest crowd of the weekend was for Dublin post rock wizards Overhead, the Albatross. They were down a member with pianist Dave away on backing duties with Kodaline, but you wouldn’t have noticed any dip in quality. They blew the crowd away with a blistering set of 3 songs, all the guys could fit into their 40 minute set(Their songs are looooooooong). If you want the full experience you can catch them tonight(Friday 09/12) in Vicar St with the mighty Bitch Falcon. There are still a few tickets available from Ticketmaster and if they don’t sell out, on the door.

Next up, round two in St James Church. An almost unrecognisable Imelda May was up first. She’s undergone a total musical and physical make over. Gone are the rockabilly qiffs and tunes. She’s reinvented as a straight up rock singer with some beautifully personal songs. ‘The Girl I used to Be’ was a highlight, written about her youth in Dublin.

Lisa Hannigan’s beautiful ethereal voice set the night alight with a lovely set of songs from her latest album ‘At Swim’. “Coming to Dingle feels like coming home” she tells us, we couldn’t agree more!

Girl Band might have scared some birds or locals away or, from looking at the faces of some of the onlookers in Benners, desecrated the church! It was a perfect representation of the band. Half of the people in the room were lamenting the fact they weren’t inside the church, the other half were holding their fingers in their ears. Brilliant!

Rejjie Snow had a challenge trying to fill the stage with just himself and his DJ. The Dublin rapper has been turning heads internationally, including that of the aformentioned Kendrick Lamar. He never properly hit his stride in the church though, seeming to find it hard to fill the large stage.

Saturday night was filled with lot’s more music, but bopping between so many venues I never stayed long enough to get a good enough impression of any to review here. I blame the pints.

SUNDAY
First up were Dublin 3 piece Swords who stunned the crowd with a set of songs from their new album Tidal Waves. They seemed super confident and really comfortable with the new songs. Swords seem to have really settled on their sound.

Next up Stephen James Smith brought the goosebumps with some truly evocative poems out the back of Currans bar. He wasn’t one to hold the limelight though, passing around a book of quotes for people to choose from and then share with the group. He even managed to squeeze a song out of Ruby Sessions organiser Ger Murphy!
Thumper brought their bouncy, energetic, frantic and LOUD sound to Nellie Freds. This set was a lot of fun, a playful take on all of life’s little problems. After finishing a 2 – 3 minute song, they played the same song again way faster trying to beat yesterdays record of 44secs. 43! Yes! Pop melodies fed through an overdrive circuit. Class.

Æ Mak brought their impressive live set to the Other Room next. Full of infectious world rhythms and epic displays of choreographed interpretive dance, this was really a sight to behold. Check them out at the first chance you get.

The incomprehensible Meltybrains? brought their fantastic live show to the same venue next and really made an impression on the crowd. It feels a little like the secret is out about these guys and anyone not yet on board is eager to find out what all the fuss is about. The major highlight was the whole dingle crowd learning their signature dance during ‘The Vine’.
On the way out, the families and children of Dingle paraded around the town with homemade lanterns for the annual Festival of Light, ending at a beautiful Christmas tree where they hung their lanterns as decorations.
Things drew to a close with the 3rd night in St James Church featuring showstopping performances from Saint Sister, All Tvvins, Le Galaxie and Rusangano Family as well a suprise performance from Glen Hansard.

The team at Other Voices pulled of another incredible year of music. Here’s to 15 more years!

P.S The drive home wasn’t half bad either….

Meltybrains? are back with a new EP on the eve of their biggest show to date.

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Dublin’s weirdest band Meltybrains? are back with their new ‘Kiss Yourself’ EP. The self released body of work is a sometimes scattered but always interesting collection that benefits greatly from repeat listens. There is a LOT to digest here. It’s chock full of beautifully developed motifs that are pushed right to their sonic limits.

This EP feels like a real leap forward in terms of direction from some of the bands earlier work and leaves you begging for more. We might just get it as they reportedly wrote over 40 tracks while demoing this EP with plans to release the rest in the near future.

Tomorrow night (Friday 24th) the 5 piece will be finishing up a tour that saw them play shows up and down Ireland, Iceland and the UK with their biggest headline show to date in The Academy, Dublin. I’ve said it before but live is where Meltybrains? really shine.

Their gigs are full on performance art pieces with frequent crowd participation and social experiments thrown in. They’ve said they have some big surprises up their sleeves and I can’t even guess what they could be. I’m pretty confident they’ll be a lot of fun though. Tickets are still available here, snap one up before their gone. This will be a show to remember.

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REVIEW: Cory Henry and the Funk Apostles in The Sugar Club

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The Sugar Club is packed to capacity as Cory Henry and his band take to the stage. The Snarky Puppy keyboardist needs no introduction and his fans have come out in droves to see what his solo side project has to offer.

From the moment the first song begins it’s clear that this will be a night to remember. Cory is a masterful bandleader, taking time to step out of the limelight. While the band members rip it up with extended solos, Cory struts around the stage egging each of them on. Shouting, instructing “Hit me on the one.” Bham! “Hit me on the two.”…Bham! “Hit me on the three”……Bham! “Take it back home.”

When it’s his time to shine, he goes into a trance like state. He stares straight ahead, not even glancing at the keys as he plays incredibly complicated improvisational pieces. “Was that alright?” Cory asks, “YEAAAAH!” we reply.

Funk is music that is innately fun. The audience and the performers share the thrill of taking risks, laughing when it doesn’t work and cheering when it does. If there was a single word to describe this show, that’d be it. FUN!  My highlight of the night was the dark, brooding, bass heavy cover of Prince’s “1999”, with it’s slow build eventually erupting into a massive crescendo. Incredible stuff.  Soulful backing singers, walking baselines, syncopated guitar and  insane drum groove. These guys had it all.

The shouts of “ONE MORE TUNE” threatened to bring the house down and they graced our ears with one more dose of musical medicine. Afterwards Cory stood by the exit meeting fans and thanking anyone who said hello. This is a man who truly appreciates his fans. I’d highly reccomend checking him out next itme he hits our shores.

A special mention to the band and their great hats!

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Revenue Killed the Radio Star

txfm-logo
It’s been a long grieving process since learning of TXFM’s imminent demise in March. It’s been a slow wind down since then, with the station recently cutting it’s eclectic range of night time shows and now unfortunately it’s all coming to an end. At 7pm today the station will go off the air and Dublin’s alternative leaning listeners will be left with nowhere on the airwaves to call home.

TXFM is of course a rebranding of it’s previous guise, Phantom FM. I managed to find Phantom in it’s pirate days once or twice, but mainly it was elusive mythical thing. I can still remember how excited I was when it started up legitimately in 2006. I used to have to tape tinfoil to my walls and aerial to get the station in my bedroom on the Meath/Westmeath border!
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Phantom introduced me to music from all over the world that I almost certainly wouldn’t have come across on my own. More importantly it connected me to the Irish music industry that I didn’t even know existed. My experience with bands spanned to a few local acts. I assumed that if you wanted a career in music you needed to go to London, LA, New York or one of those cool places. Phantom totally changed this view. I’d tune in to I-CON with Cathal Funge and soak up all the amazing Irish talent like a sponge.

On December 30th 2009 I entered a competition on that very show to win the top 10 Irish albums of the year and won! I was so excited. There were albums from And So I Watch You From Afar, Super Extra Bonus Party, Hunter Gatherer, Jape, Herm and lots more. I poured through the linear notes, researched the indie labels and members other projects and that was it. I fell down the rabbit hole. I was hooked.

That chance competition win revealed to me the industry that I find myself working in today. Right at a time when I was deciding what I wanted to do with my life. I will be forever grateful for that.

In 2014 the upsetting news emerged that Phantom was shutting down. I was gutted. Soon enough though, we all found out that a lot of the crew would be opening a new station, TXFM, following the same ethos. We we’re saved from the abyss! The blow was well and truly softened.

Years of enjoyment followed. I continued listening and learning over the last few years, getting to know the presenters and winning a really ridiculous amount of concert tickets. Cathal, Claire, Joe and Kelly- Anne became an important part of my life. Tuning the dial to 105.2 felt like coming home. It kept me going through secondary school, college, long drives and traffic jams. I can’t count the number of times I arrived home and stayed in the car to hear the end of the song playing.

1991
TXFM was also never afraid to take risks. This was best illustrated recently by the 1991 special the station did on the 25th anniversary of Nirvana’s Nevermind. The station spent the entire day acting like it was 1991. They had old news reports, they ran phone in competitions and read everyones texts and emails as letters. It was easily the most entertaining day of radio I’ve ever listened to. You can listen back to the whole thing on their website here(Thursday September 25th). Hurry though, I’m not sure how long it’ll be live.

Another great example is Cathal Funge’s PPI Award winning documentary Left of the Dial, chronicling alternative radios tumultuous past in Ireland. Grab it here while you still can.
leftofthedialYou have to ask why such quality radio needs to rely on advertising revenue to survive. Surely RTE or the Arts Council should have some responsibility to cater to for listeners that don’t want to listen to the same old mainstream drivel. A man can dream I suppose.

The closure of TXFM is a massive loss to the Irish music fans and an especially large loss for the bands, artists and labels it so consistently supported. Anyone who isn’t feeling a sting today might not realise what we’ve lost until it’s gone. But it’s not all bad. For 10 years the crew of Phantom and TXFM we’re a shining light in the otherwise too often bleak landscape of primetime Irish radio. In the words of Joe Donnelly, don’t be sorry it’s over, be glad that it happened.

To the amazing crew of the station I can only say so long, farewell & thank you so much for everything.

P.S TXFM is archived all the way back to May 6th 2014 on their website. Listen while you can and let’s pray someone will be backing it up somewhere! 

INTRODUCING: Dublin Instrumental Math Rock outfit Chancer unleash debut single ‘whistlers’

14800178_10157754104235691_1502075361_oChancer is the new musical venture of guitar wizard Dara Walsh. You probably know Dara as the growling frontman of Dublin math-rockers Val Normal. This new outfit delivers the quality you’d expect from such an experienced musician. Clocking in at 6:24 it’s a an odyssey of riffy goodness harking back to Adebisi Shank, TTNG and And So I Watch From Afar but remaining original and catchy as hell.

Dara says:

This is a project that stops me from going mad from not gigging. We’ve spent years at it in Val Normal gigging nearly every night and this is the first year I’ve sort of had a bit of down time. I’ve always written songs that I didn’t think to record or label or whatever but I wanted to put these ones out. There’ll definitely be more releases and maybe even live shows but I don’t have a time frame or schedule. Right now I’m just really enjoying making tunes for the sake of making tunes and not worrying about an agenda or deadlines or whatever. If people dig it that’s even better.

We’ll be eagerly awaiting those next releases, but ‘whistlers’ will demand lots of replays between now and then. Exciting stuff!

You can download the track for free on the Chancer Bandcamp page.

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REVIEW: Harbouring Oceans in The Workmans Club

ho-live-24-10-16It’s been just over 6 months since Harbouring Oceans debut single release ‘Enso’ (you can see what we had to say about it here), and since then the band have been taking the their time, building their fanbase and really working on their craft. That work is all starting to pay off!

Halfway through their set it’s clear that the band already have the guts of a very strong album. Not only that, but they are TIGHT! Like really tight, their songs are full of ridiculous rhythmic stops and stabs alongside drastic yet fluid dynamic changes.

I’m not quite sure how to define this, there are elements of pop, rock, jazz, R&B, country and a dollop of funk. Some of the vocal harmonies are straight out of backstreet boys territory (in a good way though!). This is pop-rock with real substance.

Anthemic at its core, sometimes uplifting, sometimes heart wrenching, these songs are built to be replayed. It’s only after multiple listens that you get to fully appreciate everything that’s going on in these skillfully layered compositions.  Watch out, when they release a full long player you won’t be able to escape it.

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REVIEW: Vulfpeck at Vicar Street, Dublin + Mescalito After Party

vulfpeck
I first heard of Vulfpeck in 2014 when they released ‘Sleepify’, a ten track album of complete silence, on Spotify. They encouraged their fans to play it on a loop while they slept. The band would then use the resulting royalties to crowdfund a tour of free entry shows across the US. Spotify eventually pulled the album off of the service, but not before the band earned an estimated $20,000. Smart, right? The story also boosted their profile around the world practically overnight. The best part was, Vulfpeck had the musical skill to live up to the hype!

Wednesday night was their very first ever show in Europe. European crowds have long been described as much rowdier and energetic than their North American counterparts, and Irish crowds are often cited as being some of the best in Europe, but looking at the bands reaction to the raucous reception they received from the sold out Vicar St crowd (having been upgraded from the sold out Sugar Club) it’s easy to believe them when they tell us ”This is the best show we’ve ever played, no other show even comes close.” It’s not a case of ”Hello Springton!”, this genuinely was one of the most fun gigs I’ve been to in years.

Vulfpeck very much put on more of a show than just a set of songs. Songs feature extended interludes complete with individual solos and stabs. Every member of the band apart from bassist Joe Dart spent the whole gig instrument swapping in between and in the middle of songs. Drummer Theo Katzman comes out from behind the kit to sing lead vocals on a few tracks and lays down some unbelievable falsetto notes straight out of Jackson 5 era MJ territory. The band are know for their great sense of humour online but in person they’re really very funny. They seem to be having the time of their lives, genuinely surprised at the audiences familiarity with their back catalogue and idolising support.

Funky Duck vocalist Antwaun Stanley made a surprise appearance halfway in and the crowd threatened to drown out band with their screams and applause. It seems like they’ve brought their whole crew over for the tour. This guys could give Marvin Gaye a run for his money with his soulful vocal gymnastics, making incredible jumps up and down the scale seem so easy.

It’s hard to emphasise how amazing the crowd participation was without sounding like I’m exaggerating, but this gig was really something special. Vulfpeck can barely believe their eyes, all of them spent most of the night with smiles from ear to ear. At one point the crowd is clapping in unison for more, and Joe Dart matches the crowds ever increasing tempo with a bass solo. One by one all of the other members join in and add to the piece. One definitive highlight is the three part crowd harmony for ‘Back pocket’. Bandleader Jack Stratton stops mid explanation because the whole crowd already knows their part note for note.

I left the venue, hands sore from clapping. The atmosphere outside was one of pure elation and joy. The gig was solid gold! As if we could take any more, there was still more music to come. Mescalito held an after party in the jam packed Sin E. It was fitting end to the night, everyone giving in to their excess groove. The 3 piece play jam style psychedelic opuses, a perfect mix of Hendrix, Primus and Marley. Definitely check them out if you have the chance.

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