Revenue Killed the Radio Star

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It’s been a long grieving process since learning of TXFM’s imminent demise in March. It’s been a slow wind down since then, with the station recently cutting it’s eclectic range of night time shows and now unfortunately it’s all coming to an end. At 7pm today the station will go off the air and Dublin’s alternative leaning listeners will be left with nowhere on the airwaves to call home.

TXFM is of course a rebranding of it’s previous guise, Phantom FM. I managed to find Phantom in it’s pirate days once or twice, but mainly it was elusive mythical thing. I can still remember how excited I was when it started up legitimately in 2006. I used to have to tape tinfoil to my walls and aerial to get the station in my bedroom on the Meath/Westmeath border!
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Phantom introduced me to music from all over the world that I almost certainly wouldn’t have come across on my own. More importantly it connected me to the Irish music industry that I didn’t even know existed. My experience with bands spanned to a few local acts. I assumed that if you wanted a career in music you needed to go to London, LA, New York or one of those cool places. Phantom totally changed this view. I’d tune in to I-CON with Cathal Funge and soak up all the amazing Irish talent like a sponge.

On December 30th 2009 I entered a competition on that very show to win the top 10 Irish albums of the year and won! I was so excited. There were albums from And So I Watch You From Afar, Super Extra Bonus Party, Hunter Gatherer, Jape, Herm and lots more. I poured through the linear notes, researched the indie labels and members other projects and that was it. I fell down the rabbit hole. I was hooked.

That chance competition win revealed to me the industry that I find myself working in today. Right at a time when I was deciding what I wanted to do with my life. I will be forever grateful for that.

In 2014 the upsetting news emerged that Phantom was shutting down. I was gutted. Soon enough though, we all found out that a lot of the crew would be opening a new station, TXFM, following the same ethos. We we’re saved from the abyss! The blow was well and truly softened.

Years of enjoyment followed. I continued listening and learning over the last few years, getting to know the presenters and winning a really ridiculous amount of concert tickets. Cathal, Claire, Joe and Kelly- Anne became an important part of my life. Tuning the dial to 105.2 felt like coming home. It kept me going through secondary school, college, long drives and traffic jams. I can’t count the number of times I arrived home and stayed in the car to hear the end of the song playing.

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TXFM was also never afraid to take risks. This was best illustrated recently by the 1991 special the station did on the 25th anniversary of Nirvana’s Nevermind. The station spent the entire day acting like it was 1991. They had old news reports, they ran phone in competitions and read everyones texts and emails as letters. It was easily the most entertaining day of radio I’ve ever listened to. You can listen back to the whole thing on their website here(Thursday September 25th). Hurry though, I’m not sure how long it’ll be live.

Another great example is Cathal Funge’s PPI Award winning documentary Left of the Dial, chronicling alternative radios tumultuous past in Ireland. Grab it here while you still can.
leftofthedialYou have to ask why such quality radio needs to rely on advertising revenue to survive. Surely RTE or the Arts Council should have some responsibility to cater to for listeners that don’t want to listen to the same old mainstream drivel. A man can dream I suppose.

The closure of TXFM is a massive loss to the Irish music fans and an especially large loss for the bands, artists and labels it so consistently supported. Anyone who isn’t feeling a sting today might not realise what we’ve lost until it’s gone. But it’s not all bad. For 10 years the crew of Phantom and TXFM we’re a shining light in the otherwise too often bleak landscape of primetime Irish radio. In the words of Joe Donnelly, don’t be sorry it’s over, be glad that it happened.

To the amazing crew of the station I can only say so long, farewell & thank you so much for everything.

P.S TXFM is archived all the way back to May 6th 2014 on their website. Listen while you can and let’s pray someone will be backing it up somewhere! 

INTRODUCING: Dublin Instrumental Math Rock outfit Chancer unleash debut single ‘whistlers’

14800178_10157754104235691_1502075361_oChancer is the new musical venture of guitar wizard Dara Walsh. You probably know Dara as the growling frontman of Dublin math-rockers Val Normal. This new outfit delivers the quality you’d expect from such an experienced musician. Clocking in at 6:24 it’s a an odyssey of riffy goodness harking back to Adebisi Shank, TTNG and And So I Watch From Afar but remaining original and catchy as hell.

Dara says:

This is a project that stops me from going mad from not gigging. We’ve spent years at it in Val Normal gigging nearly every night and this is the first year I’ve sort of had a bit of down time. I’ve always written songs that I didn’t think to record or label or whatever but I wanted to put these ones out. There’ll definitely be more releases and maybe even live shows but I don’t have a time frame or schedule. Right now I’m just really enjoying making tunes for the sake of making tunes and not worrying about an agenda or deadlines or whatever. If people dig it that’s even better.

We’ll be eagerly awaiting those next releases, but ‘whistlers’ will demand lots of replays between now and then. Exciting stuff!

You can download the track for free on the Chancer Bandcamp page.

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REVIEW: Vulfpeck at Vicar Street, Dublin + Mescalito After Party

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I first heard of Vulfpeck in 2014 when they released ‘Sleepify’, a ten track album of complete silence, on Spotify. They encouraged their fans to play it on a loop while they slept. The band would then use the resulting royalties to crowdfund a tour of free entry shows across the US. Spotify eventually pulled the album off of the service, but not before the band earned an estimated $20,000. Smart, right? The story also boosted their profile around the world practically overnight. The best part was, Vulfpeck had the musical skill to live up to the hype!

Wednesday night was their very first ever show in Europe. European crowds have long been described as much rowdier and energetic than their North American counterparts, and Irish crowds are often cited as being some of the best in Europe, but looking at the bands reaction to the raucous reception they received from the sold out Vicar St crowd (having been upgraded from the sold out Sugar Club) it’s easy to believe them when they tell us ”This is the best show we’ve ever played, no other show even comes close.” It’s not a case of ”Hello Springton!”, this genuinely was one of the most fun gigs I’ve been to in years.

Vulfpeck very much put on more of a show than just a set of songs. Songs feature extended interludes complete with individual solos and stabs. Every member of the band apart from bassist Joe Dart spent the whole gig instrument swapping in between and in the middle of songs. Drummer Theo Katzman comes out from behind the kit to sing lead vocals on a few tracks and lays down some unbelievable falsetto notes straight out of Jackson 5 era MJ territory. The band are know for their great sense of humour online but in person they’re really very funny. They seem to be having the time of their lives, genuinely surprised at the audiences familiarity with their back catalogue and idolising support.

Funky Duck vocalist Antwaun Stanley made a surprise appearance halfway in and the crowd threatened to drown out band with their screams and applause. It seems like they’ve brought their whole crew over for the tour. This guys could give Marvin Gaye a run for his money with his soulful vocal gymnastics, making incredible jumps up and down the scale seem so easy.

It’s hard to emphasise how amazing the crowd participation was without sounding like I’m exaggerating, but this gig was really something special. Vulfpeck can barely believe their eyes, all of them spent most of the night with smiles from ear to ear. At one point the crowd is clapping in unison for more, and Joe Dart matches the crowds ever increasing tempo with a bass solo. One by one all of the other members join in and add to the piece. One definitive highlight is the three part crowd harmony for ‘Back pocket’. Bandleader Jack Stratton stops mid explanation because the whole crowd already knows their part note for note.

I left the venue, hands sore from clapping. The atmosphere outside was one of pure elation and joy. The gig was solid gold! As if we could take any more, there was still more music to come. Mescalito held an after party in the jam packed Sin E. It was fitting end to the night, everyone giving in to their excess groove. The 3 piece play jam style psychedelic opuses, a perfect mix of Hendrix, Primus and Marley. Definitely check them out if you have the chance.

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LISTEN: James Vincent McMorrow returns with funk infused track ‘Rising Water’

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James Vincent McMorrow is back with his first release since 2014’s ‘Post Tropical’. The Dublin singer songwriter turned globetrotting performer/producer has continued the trend of changing things up with each release. ‘Rising Water’ kicks off with a deliciously funky electric piano line and builds the groove from there that takes us right through to the finish line.

It’s the first track to come from his forthcoming third album ‘We Move’ due out on September 2nd. Production on the record was split between James and Grammy nominated Drake producer Nineteen85. In a post on his Facebook page James explained a bit about the direction of the new record:

“I’ve started writing this letter about 8 times now, I haven’t gotten past half way yet. Because I do want to explain the record that I’ve made to anyone who’s reading this. But more than wanting to explain it, I really really really don’t want to explain it at all… Does that make sense? Probably not…

In the past I would have gone into crazy detail about each and every aspect of it. But everything about this record is different. So I need to do everything different.

The only thing I want to say right now is this. I’m not the most confident person. It’s something I’ve struggled with all my life. All of my musical heroes put themselves out there on records in such a candid black and white way, which just felt like something that was a world away for me. Every time I’ve made an album before this one, I’ve worked so hard to shroud the thing in metaphor and imagery, until I’m so blurred in the picture that even I can barely see myself in it. And I’m eternally proud of those albums, but I always wished I’d been strong enough to put myself out there on the line. I was taking safe roads because honestly I was terrified.

In every part of this new album I see myself. I hear it in every lyric and every note. And it’s still terrifying. But it’s exactly what I needed to make. Because I can’t be the person I want to be, or the musician I want to be, unless I pursue what I hear without hesitation.

When I was first starting work on this album I wrote 2 things on a page. I still have the page. The first was ‘We move. Or we don’t. We change. Or we stay the same’. Which kind of became the anchor of the entire record, and was where I found the title.

And the second was ‘There is no reason why dancing and heavyheartedness need to be mutually exclusive things’. Which also definitely applies.

James”

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Studio Diary: Emily from Vernon Jane

Vernon Jane Press shotWe’ve written about Vernon Jane before and readers will know that we hold them in very high esteem. With the band now gearing up for their first proper release, “The Inner Workings of a Damaged Nobody”, we got the low down on what went down in the studio from lead singer/guitarist Emily O’Conner. Vernon Jane will be celebrating the release this Thursday March 24th with a gig in The Opium Rooms. Support on the night comes from MEGACONE and Mescalito.

Over a few days in December my band Vernon Jane took to the studio to record our first ever release. After a tough struggle to find a studio that would respond to our inquires and fit our price range Lamplight studios appeared. It’s a cosy studio based on Cork Street.

Day 1:- Months of practice had gone in to make sure we could get 5 songs completed in 2 days. I knew this was a big undertaking but reassured my worried brain with thoughts of Alex’s dad spouting anecdotes of old school bands rocking up and recording albums in just a week.

I arrived in the early AM with a beautiful Richwood on my back and a belly full of butterflies. This was, is and forever will be a massive deal for us. We are a live band no doubt about it. For my whole music ‘career’ people have said record to a click, I have recorded to a click and we in fact practiced to a click but I knew in my heart when entering the room that a click was not right for us. We’ve been together almost two years and I felt it in my bones that an internal clock had been created. (Weeks later I might add Steve Albini secured this thought process in a masterclass). We vibe off one another, we click (terrible joke).

The rest of the band arrived within a few minutes and other then a hefty walk up the stairs with Daragh’s percussion we were ready and able to record. Steven our engineer didn’t know what to expect really and I broached the idea of recording live. This meant two electric guitars, drums, bass, percussion, trumpet and Saxophone, all live. Steven accepted the challenge and we began to set up.

I don’t think I’ll ever forget that first day of recording. I could go into the semantics of every song and detail of our conversations but I think the only thing that mattered was we were all in it together. Time literally flew by and we had the music for all 5 songs down. We followed each other, that type of trust you only find with family, we had that in our favour that day. We all knew our parts, we all knew the message behind each song. I think I’m the luckiest lady alive to be making music with people who just ‘get it’. I went home, over analysed the day and waited for the next one to begin. (Honorable mentions, thanks to Pauric O’Niell and Tony Cunningham for dropping in for moral support and a cheeky listen)

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Day 2:- This was a week after our first day in studio. I was meant to do all the vocals for the songs but unfortunately the winter that was in it had me very sick altogether. I arrived in studio with the brass duo, pins and needles. We recorded some extra brass, and also some wonderful sound effects (heavily featured on the track ‘Cool Breeze’). Pins and Needles are the best pairing any band could ask for, hard working, dedicated and musically gifted. They have brought sounds in my brain to life and I know that has not been an easy task.

After this it really felt like a solid foundation for vocals had been brought to life. I went home over analysed, drank honey and lemon and prepared for the final bit ahead.

Day 3:- A tough day it has to be said. Pins and Needles needed to finish some brass so I got them in early to the studio. Myself and Niamh arrived with them and made sure the process ran smooth. At this stage, I am a nervous wreck. Will I get 5 vocal tracks done in under 5 hours? We could not afford anymore studio time, so I psyched myself up and went for it with everything I had. The live feel captured as a band was so important to this process. I tried my best to engage with the movements of each piece, I felt I had an advantage as the first day was imprinted forever in my mind. I held in the back of mind how important this body of work was to me, how much time, energy and love was poured into it. My wonderful band members have invested so much to bring this all to life, so I recorded all 5 vocals in 4 and half hours. Live and emotive, I gave it everything.

-Emily Jane

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LISTEN: New single ‘Matty Rusko’ from Galway’s Race the Flux

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Galway band Race the Flux continue on their steady climb to the world stage today with the release of their new single ‘Matty Rusko’.

Our first introduction to Race the Flux came in the form of their 2013 Mini Album ‘Dutch Buffalo’, a no holds barred teeth-gritting-head-banging blend of electronic post rock goodness.  While it’s a brilliant record that really has stood the test of time, it did lean heavily on their influences. The stand out track definitely has to be  ‘Can I?’

For the follow up to ‘Dutch Buffalo’ they enlisted the help of Belfast producer and ex Oppenheimer axeman Rocky O’Reilly in Start Together Studios. Rocky is the man responsible for capturing And So I Watch You From Afar’s blistering live sound and translating it to record.

The difference in production and the progression in the bands songwriting ability was glaringly obvious on last years followup EP ‘Olympians’. There was a real breadth of different styles and dynamic shifts squeezed in to such a small amount of time and songs. ‘Olympians’ really sees Race the Flux coming into their own, shedding their more obvious influences and finding their sound. Check out ‘Olympus Mons’ for a great example of this.

‘Matty Rusko’ is another creative and sonic leap for the band, featuring math rock rhythms juxtaposed with Joe Padfield’s anthemic orating and some really interesting interplay between guitars and bass. This song promises to be a big one for them and will hopefully help to secure them some bigger slots on this summers festival circuit. Having made their Electric Picnic debut last year on the Electric Arena Stage, they’ve now also been longlisted for the  Glastonbury Emerging Talent competition. Luckily, you can catch them sooner and closer than that! They’ll be playing 2 dates in Dublin and Cork over the next 2 months with support from Dublin grunge duo Pranks. There’s also a London headliner thrown in for good measure! Details for the shows are below.

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Japanese math rock trio TRICOT play their début Irish show this Thursday with support from YONEN

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This Thursday will see Japanese math rock band TRICOT bring their candy coated brand of brain breaking unpredictable music to Dublin’s Hangar in Andrew’s Lane. TRICOT have built up quite a following in Asia and are now trying to break into Europe on the back of a continent spanning tour. Support on the night comes from Irish time tearing troubadours YONEN. Below you can check out videos from both of the bands. Ticket’s are €15 and you can find more info here: Facebook Event

Æ MAK play their first headline show in Sin É this Saturday

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Dublin band Æ MAK have been making waves in the Irish music scene over the last few months with their unique brand of worldbeat infused music, getting the nod from Nialler9 and featuring in State.ie Faces of 2016.  The band, made up of BIMM graduates Aoife McCann and Ellie McMahon, met in 2011 and have been performing side by side ever since.

Performativity is at the forefront of the group’s live show and their background in musical theater is evident. The music itself is full of interesting harmonies and rhythmic vocal lines.

Support on the night comes from Hunting Hall.

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Meltybrains? announce Irish/UK tour on the back of new releases

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Dublin masked melody makers Meltybrains? have been busy bees lately. They’ve released 3 new singles in as many months and are about to embark on an Irish/UK tour starting this Friday.

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Never a band to bow to convention, they released the first song ‘New Don’ on a limited edition run of 100 signature red masks. The song starts with an inviting yet slightly unnerving melody before developing into a haunting soundtrack you can imagine being chased through the woods to.

‘Wiggly Worms’ tells the age old tale of meeting your partner’s parents for the first time from the perspective of both parties. It features uplifting choruses and is delivered in their unmistakable style.

‘Heartfelt Hummer’ is a laid back song with groove to burn. Check the video’s description for the hilarious stories behind the lyrics.

Meltybrains? are a sight to behold live and the stage is where they are truly in their element. `Their energy is infectious and their tight displays of musical prowess are well worth a watch. Get yourself down to one of these shows and see for yourself!

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