Dublin math/post rock bands come together to raise much needed funds for Dan Wild-Beesly(Cleft)

A group of Ireland’s best noise/prog/math/instrumental and post-rock bands are coming together to raise some much needed funds for Cleft guitarist Dan Wild-Beesley.

Dan is in need of potentially life saving surgery on two brain tumors that will cost upwards of £50,000. A lot of this sum has already been raised and Dublin musicians are uniting to do their bit to help raise the rest.

The lineup on the night includes Chancer, New Secret Weapon, Megacone, Vernon Jane, BiCurious and Mutefish so even if this wasn’t for a good cause it’s already a fantastic lineup to fill your Friday night with.

The gig is in The Bowery in Rathmines and the suggested donation is €7, more details can be found on the Facebook Event here.

If you can’t make the gig but still want to donate to Dan’s treatment you can visit his JustGiving page here. 

PREMIERE: Dublin loop junkies Chancer release new single ‘Streets of Ragel’

Dublin instrumentalists Chancer have released a brand new single from their forthcoming EP. ‘Streets of Ragel’ is a blistering bareknuckle ride, rapidly changing between the melodic and chaotic and delivering a beautiful string soaked thematic development throughout. At a hefty 6:19 seconds, it never loses pace and is constantly toying with dynamics and rhythmic oscillations, remaining interesting and engaging from start to finish.

The video for the track features Dublin aerial performer APolly Naria of Tribal Dance Studios performing a variety of high flying and technically impressive circus feats that really suits the accompanying music.

‘Streets of Ragel’ is available as a FREE DOWNLOAD now on Chancer’s Bandcamp page or at the link below.

Come help Chancer launch their new single in Sin É tonight alongside WOLFF and Markas Carcas and the Trail Gang. Entry is FREEEEEE and doors are at 8:30pm. See you in the front row!

Keep up to date with Chancer on:

PREMIERE: Irish instrumentalist math wizards Yonen release new track, ‘Tokyo’, ahead of UK Tour.

Following in the footsteps of And So I Watch You From Afar, Adebisi Shank, The Redkneck Manifesto, God is an Astronaut and joining the plethora of great instrumental music coming from this island are Yonen.

Yonen are 4 piece instrumental math rock band from Dublin. ‘Tokyo’ is their first official single but they’re no strangers to the live scene having already supported heavyweights such as Toe, TTNG, Overhead the Albatross, and Poly-Math to name but a few.

‘Tokyo’ is being released on the eve of a six date UK Tour this February with one man band/loop pedal purveyor Steve Strong.
The track itself is a 6:55 odyssey, journeying through the streets of Tokyo and seeing the city through the imagination of minds that have never been there. The motif stays fairly similar throughout but is treated to a dizzying array of changes in dynamics and effects, reminiscent of some of Three Trapped Tigers recent efforts, but a lot more jazzy.

Guitarist Cian Finlay told us a little bit about the writing process:

Our songs take place in hyperbolic and fantastical settings. Though Tokyo is a non fictional city, the song is merely capturing the inscape of the word “Tokyo” as an abstract – i.e. what images your mind conjures when you hear the word “Tokyo”.
(PS we’ve never been there so it’s all a lie. Shhhh!)

We see Tokyo as bustling with activity, strobing with vibrant colours, and hinting at a quirky cultural undercurrent. The protagonist (the listener) traverses the city throughout the track, beginning in the suburbs and making their way through to the center. The bustling busy ride patterns increase in activity on the journey in. The vibrant colourful synth tone gradually increases in sustain until exploding into an entirely new palette of colour (harmony).

Then the protagonist is introduced to the cultural quirks through the 8 bit production atop the cheeky melody. As our songs are experimental, it helps to have a well defined narrative of environment during the writing process to keep our piece coherent and consistent. Or, we could just get a singer.

Fun fact: In the first main melody, every mini phrase comprises of 4 notes. (…except for the 5th group…)

Fun fact: the synth tone is actually a bass running through a Zoom B3 Multi Effects Unit. Nice tone Bro.

Fun fact: The two guitarist mixed and produced the song together, and somehow are still friends.

There seems to be some big plans ahead for the single. Alongside the supporting tour of the UK, there will be both a full length animated music video and an interactive game released by the animation/programming team of Ross Ryder and Joey Breslin. These have been designed within the video game engine ‘Unity’ and also feature as the center-piece in the bands live show. The few sneak peeks they’ve given us of the project look very promising.

No Irish dates have been announced yet, but expect to see Yonen on the summer festival circuit later this year.

Keep up to date with Yonen on:


Shanks For the Memories (-_-)

adebisi shank whelans final shows

Last night I went to Whelans to see Adebisi Shank perform their second last show in Ireland. The math-rock trio have decided to call it a day and true to their form they’ve decided to go out with a BANG. An Album Launch/ last ever show, albeit a strange combination, results in one hell of a party. The venue was packed to capacity and I was shot back in time to their second album launch in this very same room 4 years ago. A lot has changed in 4 years but one thing remains the same, Adebisi Shank are a force to behold. They are epilepsy for the ears, a joyous apocalypse. People rejoiced, soldiers fell in the frenzied pit and were pulled to their feet by the comrades who surrounded them. Shouts of “Take of the mask” went unanswered. Will we ever know what Vinny looks like? Probably. Chants of “one more tune!” morphed into “ten more tunes!” and soon “ten more years!”. They pumped out song after song of vocoder infused tunage that I once heard best described as ‘the sound of spaceships battling’.

As much as we all wanted to deny it, all good things must come to an end. As they announced that the next song would be their last, people got prepared. Battle lines were drawn, pairs of glasses were pocketed and the audience held it’s collective breath. The last hurrah was a blur of bodies and swinging heads, when the band hit the breakdown I vaulted from the stage and was lifted above the crowd. The feeling was hard to describe, a mixture of pure elation mixed with the utter dread of knowing it would all be over soon. As the last note rang out the crowd erupted, screaming for more. But that was it, the end of an era. Adebisi Shank departed, leaving us to bask in the glory of having witnessed a true phenomenon.  That was the end of a band called Adebisi Shank.

Too often Irish bands sputter out, fading into obscurity without telling anyone. Adebisi Shank did it right. Luckily though it’s onwards and upwards for all the members it seems. Lar is making music in the recently renamed All Tvvins (with Conor Adams of The Cast of Cheers fame), Vinny is producing/mixing, working on video games and other cool stuff as VMC Sound, and is also one half of Speed of Snakes (along with Rupert from the mighty Bats). Mick, according to the band, will continue to train for his UFC career! He also heads the Europe wing of Sargent House, the record label which is home to And So I Watch You From Afar, No Spill Blood, Mylets and lots of other amazing acts.

I’ll leave you with some great advice from Adebisi Shanks breakup announcement.

“To any kids starting bands we offer one piece of advice – play music you love, with people you love, for the people you love.

We saw a million faces

Vin, Lar + Mick (-_-) xxx”

So long Adebisi Shank, and Shanks for the Memories….